Behind the Music – The Eilat Duo Story
Before Matisyahu. Before Schweky. Before Eli Gerstner, Mordechai Ben David and Avrohom Fried, there was the Eilat Duo, a two man band that toured across the United States, performing at NCSY events and Bar Mitzvahs. For the better part of the 60s, Richie Starr and Stuie Bilauer were the kings of Jewish Music.
Their album, the green Eilat Duo album, was one of the hottest selling Jewish records of all time, and their music, a mix of cover songs and original material, influenced a generation of Jewish Rockers.
Richie and Stuie met on the hard streets of New York City, in the days before the depression. They were Newsies, running through the streets shouting extry extry read all about it, pitching papes for a penny. They went on strike with the other Newsies when Arthur Pulitzer tried to increase Newsies costs, and emerged victorious against the legendary newspaper giant.
It was during this time when they started to flex their musical muscle. Richie would pull out his battered old accordion, and Stuie would bang sticks on the pavement. They were hard times, but a kid with a good voice could make some serious money singing and playing on the streets back in the day.
At 17, they left the Newsies business, and began rehearsing in Richie’s father’s pizza shop on 17th and 5th in Manhattan. They seemingly had it all. Free pizza, and a growing reputation as the bad boys of the nascent Jewish Rock scene. They left a string of broken hearts in the pizza shop, and were soon courted by NCSY to start performing at their Shabbatons.
“Richie and Stuie and great. They were hard drinking, skirt chasing guys all Shabbos long, but come Saturday night, those cats could play.”
And play they did. West Virginia, Detroit, Chicago, Pittsburgh, Louisville, Cleveland, and of course, their native New York all hosted the boys, who were known only as Richie and Stuie.
“One day we were supposed to play in Philly, at some Israeli cabaret event. There was some local press, and they wanted to know who was playing. Danny White, who ran the Philly region, told the paper that we didn’t have a name, and he made up Eilat Duo. We walked in to play, and we see this sign, that the Eilat Duo was performing, and me and Stuie just figured there was more than one band that night.”
But there wasn’t. And the band that would break 1,000 hearts finally had a name.
“I would play the drums, and Richie would be singing, and these kids would just go crazy. It was a different time, a great scene.
“There was this one time when we were flying into Louisville on a Friday afternoon for a Saturday night gig, and the plane is about to touch ground in Louisville, when all of the sudden the pilot pulls up and takes us to Lexington. When we land in Lexington, he tells the broad in charge to start pouring drinks for everyone, because he saw a tornado on the runway in Louisville.
Anyway, she starts pouring drinks for everyone, and we’re getting hammered, when Richie says we gotta get to Louisville before Shabbos. I’ll never forget it. So we stumble outside, and we were drunk and freezing, and their was 14 inches of snow on the ground, and we rent a car and fly to Louisville, and we get there just before Shabbos. It was off the hook.”
In the summer of 1967, Stuie and Richie hit the recording studio to turn out their only record, the green album, and their popularity soared.
“They were the Beatles and Elvis all rolled into one.”
But something terrible was about to happen.
“I remember it like it was yesterday. Richie comes stumbling downstairs after a set, and he is just hammered. And there is this babydoll sitting there with her friends, and Richie goes over there. She blew him off, but then he kept on pursuing her, and then she acquiesced.
What killed the Eilat Duo is Richie got himself domesticated. And I thought Oy, that band is GeHakta Tzarus. And they were never the same.”
Richie and Stuie kept on playing, but it was never the same. They each married, had kids, and stopped touring.
“Dey would play at the Homowack, but wittout da kids dere, dose crazy NCSYers, it was never the same. Dose broads kilt da band.”
Disclaimer - Not everything in this Behind the Music is cold, hard fact. Some creative license may have been taken in the telling of this story.